1a fraasid Feared natural predators- kardetud looduslikud kiskjad Beyond the limits- piire ületades/piiridest kaugemale Developed such a special bond- loonud (sellise) erilise sideme Brought up on a farm- farmis üles kasvatatud How to interpret- kuidas tõlgendada/selgitada Dedicated to- pühendunud (millesegi) A unique and unforgettable- eriline ja unustamatu The negative perception- negatiivne mulje He aims to sh savagely fierce ow people- ta soovib näidata inimestele The ferocious and mindless- metsik ja tundetu Are portrayed in the media- kujutatakse meedias Have personalities- omavad iseloomu Interacting with people- inimestega suhelda To swim alongside them- ujuda nende kõrval Occasionally- mõnikord Dorsal fin- seljauim Marvel at- imetlema (midagi/kedagi) An endangered- ohustatud (kasutatakse ohustatud liikide puhul)
Reacting purely on instinct, I shifted backward. And sprawled flat on my ass. My elbows throbbed from the violent contact with the marble floor, but I scarcely registered the pain. I was too preoccupied with staring, riveted by the man in front of me. Inky black hair framed a breathtaking face. His bone structure would make a sculptor weep with joy, while a firmly etched mouth, a blade of a nose, and intensely blue eyes made him savagely gorgeous. Those eyes narrowed slightly, his features otherwise schooled into impassivity. His dress shirt and suit were both black, but his tie perfectly matched those brilliant irises. His eyes were shrewd and assessing, and they bored into me. My heartbeat quickened; my lips parted to accommodate faster breaths. He smelled sinfully good. Not cologne. Body wash, maybe. Or shampoo. Whatever it was, it was mouthwatering, as was he.
It tells of a ship's passengers bound for Narragonia, the land of 247 T H E W R I T E R ' S JOURNEY ~ T H I R D EDITION Christopher Vogler fools, and is a scathing depiction of the follies of its time. It was widely translated and adapted into books and plays. T h e Ship of Fools is an allegory, a story in which all the conditions of life and levels of society are lampooned savagely in the situation of a boatful of pathetic passengers. It is a sardonic tale, harshly depicting the flaws in the people and social systems of its time. Titanic goes in for broad-brush social criticism as well, portraying the rich and powerful as foolish monsters, and the poor as their noble but helpless victims. T h e exceptions are Jack, who is poor but not helpless, and M o l l y Brown, who is rich but not monstrous
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