His Western concert tours will be briefly summarised in the following survey about him. The year 1934 was a remarkable one. The State Broadcasting founded the second symphony orchestra in Tallinn; Raimund Kull was appointed chief conductor. The second conductor was Priit Nigula. The orchestra grew out of a small chamber ensemble under the leadership of violinist Hugo Schütz that started to perform at the newly organised State Broadcasting corporation in December 1926. This enabled the performance of more demanding orchestral compositions. This small collective would be the kernel of the National Symphony Orchestra of today. In the year 1939 Olav Roots was appointed chief conductor; thanks to his thorough and diligent work, the quality of the orchestra was rising. In the summer of 1939, the symphony orchestra, the best choirs and soloists took part in preparing a large number of test gramophone records of Estonian music
wildly novel, yet instantly understood by its audience. But if it is novel, then there is (as before, independently of what we know the sentence itself to mean) no pre-established fact of what speakers normally mean or would normally mean by it. And notice that the first, novel use may be (a) also the last and (b) itself nonliteral. (I am pretty sure that the following sentence has never been uttered before, though it may be uttered again: "The President of the United States Philosophy Corporation, who has finally been released from prison and is hurrying here to the aviary on winged feet, will share the riches of her spirit with us at 3:00 p.m. tomorrow." In such a case, even though the sentence had been uttered, no one would ever actually have meant by it what it literally means.) Blackburn (1984: ch. 4) points out that, in the right circumstances, a given sentence may be uttered with practically any intention and certainly without the intention of displaying one's actual belief
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