In the first half of the movie Rose and Jack fall in love. They are trying to be together although it is not allowed because Rose is from the good family and Jack is just a poor boy. Rose’s husband was very angry and wanted to kill Jack. But in the other half of the movie,something different happens.The ship hits an iceberg. Husband complicated the escaping from the ship. Ship sank. Jack and Rose were in icecold water, Rose survived, because she found a whistle and whistled to a rescuer. Jack died in ice cold water and till the end he hold her hand. I have never liked other movies so much. This movie is the best on my list. „Titanic” is a movie which is perfect in every aspect. Acting is perfect and music fits together well. I like it very much and I will watch this movie again with a big pleasure. In my opinion, „Titanic” is a film what goes to the heart. It captures the soul.I would certainly recommend it to anybody who
efficient and reliable way to do so? Based on the research findings we have seen, my advice would be to isolate one individual from the crowd: Stare, speak, and point directly at that person and no one else: "You, sir, in the blue jacket, I need help. Call an ambulance." With that one utterance you would dispel all the uncertainties that might prevent or delay help. With that one statement you will have put the man in the blue jacket in the role of "rescuer." He should now understand that emergency aid is needed; he should understand that he, not someone else, is responsible for providing the aid; READER'S REPORT 4.1 From a Woman Living in Wroc/aw, Po/and was going through a well-lighted road crossing when I thought I saw some- I body fall into a ditch left by workers. The ditch was well protected, and I was not sure if I really saw it-maybe it was just imagination. One year ago, I
other genres, telling the Titanic story as a mystery, a detective story, a treasure hunt, or even as a comedy. At times it is all of those things, but the primary theme and design principle is romantic love, and the structure is that of a romance. For that choice he gains a clear-cut formula with a high degree of audience identification — a triangular relationship in which a woman must be saved from domination by a cruel older man through the intervention of a younger rescuer. T h i s triangulated relationship is a familiar pattern in romance novels and in the country of film noir and hard-boiled fiction. It provides the three-cornered stage for conflict, jealousy, rivalry, betrayal, revenge, and rescue just as do the stories of Guinevere, Lancelot, and King Arthur, the romance novels where the heroine must choose between two men, and the film noir motif of the young woman who must choose between M r . Big and the young drifter or detective.
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