Christopher Vogler The Writers Journey
As if by magic we project
part of our consciousness into the hero. To make this magic work you must establish a
strong bond of sympathy or common interest between the hero and the audience.
T h i s is not to say that heroes must always be good or wholly sympathetic.
T h e y don't even have to be likeable, but they must be relatahle , a word used by movie
executives to describe the quality of compassion and understanding that an audience
must have for a hero. Even if the hero is underhanded or despicable, we can still
understand her plight and imagine ourselves behaving in much the same way, given
the same background, circumstances, and motivation.
IDENTIFICATION
T h e opening scenes should create an identification between audience and hero, a
sense that they a...