· Why the transformer-isolated converters are used voltage set-up · Why the back diodes are required current reversing · In the steady state mode, the drive has pulsations ripples · In the very accurate drive, the over-speed is 1..10% · The mechanical time constant will be high if Td is low · The friction torque is passive · In the high-efficient electrical drives the overload capacity is high · The counter-torque of the hoist is active · The speed torque relation of a pump is quadratic · The source of the magnetic flux of the motor is permanent magnet · The energy balance is described by Energy conservation law · Which equations are correct P=sW · The angular frequency is 2n/60 2f · The motor torque is equal to P/ TL + Jd/dt · The cheapest and the most reliable is induction motor · The torque production is the result of interaction of current flux · Efficiency of the electrical drive is the power ratio of load to supply
continues at the surface r = S of the star: Z = 1 − 4π ρS 2 = 1 − 2M/S > 0. II. THE ENERGY-MOMENTUM TENSOR OF THE HIGGS FIELD The Lagrangian of scalar field of the complex mass is found in Wikipedia 2016 (“Higgs boson”): L(φ, φ,ν ), see [3]. Of course, we have also the Lagrangian of Dark Matter or Dark Energy: f (t, x, y, z). The solution of L = f for φ can be easily found numerically, because it has only quadratic non-linearity. III. UPRISING OF THE SAINTS Uprising of the saints: are professors more “fat” than independent researches? Hello, we are small fishes only in our imagination! We are strong and powerful in the reality. We are the masters in our local, personal world: we can do what ever we like in our home, and in our beautiful mind. Therefore, stop calling yourself “small fish” and let us teach these fat professors some legal lessons in good manners! Best regards, Dmitri
than Kalevala by Aleksander Läte. The music was inspired by the Shakespearian tragedy of the same title. The overture begins with a bright introductory theme on brass instruments: let us call it the theme of Caesar: Example 3. The next subsidiary theme is mournful and restless. As a formal novelty the subsidiary theme is presented in a D major tonality (the main tonality being C minor), characterised by the effect of a brightening colourful harmony and non-quadratic structure: Example 4. The main theme (Allegro) is full of energy, like a challenge: Example 5. The thematics of the overture is concentrated; the development section is based on recurrences of themes and their modifications. The mutability of timbres, both the openness of harmonic “direction” and the non-quadratic form are remarkable features. Tobias is applying the principle of motivic development, yet all the themes maintain their basic character evenly in the process
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