There he found Noah Clayborn and the maid Charlotte talking of kissing. He chastises them, appalled that they would discuss or do such things, and satisfied that he completed his task, left. Chapter 28: As they ran through the fields, Sikes had tried to bring Oliver with him. After Toby abandoned them however, it became impossible and stays alive at the same time, so he wrapped his shawl around Oliver's wound and left him in the field. Then, diverting the attention of the pursuers to him and not Oliver, he fired his pistol and ran. The butler of the house, Mr. Giles, a houseboy who was around the age of thirty, Brittles, and a tinker who was sleeping in the shed were the ones pursuing. But hearing the gunshot, they soon gave up on their chase and went back to the house. The next morning the three sat telling the tale of the robbery to the cook and the maid. While this was going on, Oliver woke up alone in the field, with his hurt throbbing
invasion; at Walsingham's suggestion, there was a mixup in the passports. Babington, suspecting nothing, boldly came to the minister for help in cutting the red tape. [Codebreakers 089.jpg] While he was dining at the nearby tavern with one of Walsingham's men, a note came, calling for his arrest. He caught a glimpse of it and, saying he was going to pay the bar bill and leaving his cloak and sword on the back of his chair, he slipped out and escaped. The hue and cry set up by his pursuers panicked the six young men. They fled for their lives, but within a month both they and Babington were caught and condemned to death after a two-day trial. Before they were executed, the authorities prudently extracted from Babington the cipher alphabets he had used with Mary. These, and Mary's letters, served as thoroughly incriminatory evidence in the Star Chamber proceedings that convicted her of high treason. Mary received the announcement that Elizabeth had signed her
by throwing down "protective interpretations, principles, symbols, rationalizations, anything [to] delay and absorb" their power. W h a t the hero throws down in a chase may also represent a sacrifice, the leav ing behind of something of value. T h e little girl of the fairy tales may find it hard to part with the lovely scarf or comb given by the animals. Heroes of movie adventures sometimes have to decide what's really important, and toss money out the window to slow their pursuers and save their lives. Campbell cites the extreme example of Medea. Escaping with Jason from her father, she had Jason cut up her own brother and toss his pieces into the sea to delay the pursuit. 191 T H E W R I T E R ' S JOURNEY ~ T H I R D EDITION Christopher Vogler CHASE VARIATIONS: P U R S U I T BY A D M I R E R S
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