Bring with thee airs from heaven or blasts from hell, 34 Be thy intents wicked or charitable, Thou comest in such a questionable shape That I will speak to thee: I'll call thee Hamlet, King, father, royal Dane: O, answer me! Let me not burst in ignorance; but tell Why thy canonized bones, hearsed in death, Have burst their cerements; why the sepulchre, Wherein we saw thee quietly inurn'd, Hath oped his ponderous and marble jaws, To cast thee up again. What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls? Say, why is this? wherefore? what should we do? Ghost beckons HAMLET HORATIO It beckons you to go away with it, As if it some impartment did desire To you alone. MARCELLUS Look, with what courteous action
chamber compositions and his graduation work, the First Symphony (1944). The First Symphony has retained the position as his peak achievement in the whole of his symphonic output. The reflection of those fateful times in the First Symphony is evocative, his approach is vigorous, youthfully active and with a dominating optimism. The character and mode of expression is similar to that of Tubin. The first movement begins with a gloomy and ponderous introduction; after this the main tonality A minor is fixed. The main theme suggesting an irritable struggle is efficient, creating a certain feeling of depression and agitation: Example 60. A conceptual connection with the Legendary Symphony of Tubin (first movement, main theme) arises. The subsidiary theme (Meno mosso) with the singing oboe almost represents, by its inflections, a folk tune. The same might be said about the
that the Grand Duke Nicholas was forming a huge phalanx of seven armies to rumble into the industrialized heart of Silesia in east-central, Europe. By the end of October, the picture of the composition, disposition, and strength of the Russian forces that Hindenburg and Ludendorff had before them could not have differed much from the official one at Stavka. Only the date of the advance was unknown, but the Germans assumed that it would take a little time before this ponderous Russian steamroller could get up momentum. They determined to seize the initiative and attack first in the hope of throwing a monkey wrench into the steamroller's mechanism. Ludendorff's plan was characteristically bold. He removed a German army from the defenses blocking the invader and poised it in the north for a plunge downwards into the right side of the Russian wedge. On November 11, the point of this dagger—an army under Mackensen— began to pierce the Russian flank. At 2:10 p.m
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