Roman Jakobson Closing Statement: Linguistics and Poetics Resümee R. Jakobson uurib kommunikatsioonifunktsioonide teoorias poeetika seost keeleteadusega ning väidab, et poeetika pole eraldiseisev, vaid on osa keeleteadusest ja seda peab analüüsima sellest lähtuvalt, tegeledes struktuuriga, uurides sisu. See väide on aga kehtiv mitte ainult sõnakunstile, vaid ka kõigile keelevariatsioonidele. Paljud poeetilised jooned kuuluvad mitte ainult keeleteaduse, vaid ka kogu märgiteaduse alla, kuna keel jagab paljusid omadusi mõnede teiste märgisüsteemidega või isegi nende kõigiga. Poeetika on oluline ka teatris, kinos, muusikas jne. Poeetika tegelebki peamiselt küsimusega ,,Mis teeb verbaalsest sõnumist kunstiteaduse?" Kirjanduse uurimine koosneb nagu keeleteaduski kahest probleemidekogust: sünkroonia ja diakroonia. Sünkroonne kirjeldus vaatleb mitte ainult iga antud staadiumi kirjandusloomingut, vaid ka kirjandustradi...
poems and Larkin’s method of composition. Shorter essays add further aspects to the discussion of Larkin. To mention a few examples: Oliver James has approached “This Be The Verse” from a genetician’s point of view, Richard T. Cauldwell has analysed Larkin’s recorded readings phonetically, and David Punter has applied Melanie Klein’s psychoanalysis to his poems. My aim with this paper is to make an academic review about the principles of his poetics manifest in his short essays, interviews, reviews, letters, and the poems themselves. My main interest will be to analyse the themes, form, style, imagery and symbolism, from the point of view of the numerous studies his being protagonist. Larkin was not one of the major essay writers in the history of British literature. He never wrote a text comparable with Wordsworth’s “Preface” to Lyrical Ballads,
Tundub, et see peab endaga kaasa tooma liiasuse enneolematu kasvu 1 M. K r i d 1. Wstep do badan nad dzielom literackirn. Wilno, 1936; Teoria badan literackich w Polsce. Opracowal H. Markiewicz. Kraków, 1960, I-II; E. B o j t á r. L'école «integraliste» polonaise. Acta Litteraria Academiae Scientiarum Hungaricae, XII- 1970, No 1-2. 2 . . . , 1953. 3 3 Vt. näiteks: M. JI. . . -- , III. . . - , .198, 1967; B. . . «». -- Kogumikus: Poetics, Poetyka, , II. Warszawa, 1966. luuletekstis,4 samal ajal aga peab tema informatiivsus järsult langema. Kui pidada luulet tavaliseks tekstiks, mis on koormatud lisakitsendustega (teatud vaatepunktist aga tundub niisugune määratlus olevat täiesti veenev), või ehk, parafraseerides sama mõtet argiselt lihtsustatult, kui arvata, et poeet väljendab samu mõtteid mis tavalised kõnelejad,
THERE IS A FLOWER I WISH TO WEAR, BUT NOT UNTIL FIRST WORN BY YOU HEART'S EASE OF ALL EARTH'S FLOWERS MOST RARE BRING IT, AND BRING ENOUGH FOR TWO. Is it true that the flower is the earth's rarest flower? If we want to know about flowers hadn't we better listen to botanists than poets? Isn't it apparent that whatever value Landor's poem has is not in its botany? THE NATURE OF LITERATURE: THE IMITATIVE THEORY Art is an imitation of something. Poetics Aristotle (384322B.C.): A form is presented in a substance not natural to it: Michelangelo imitates Moses in stone Shakespeare imitated Caesar in an actor's words and gestures Although no one whistled at Waterloo, one might whistle waterloo. THE IMITATIVE THEORY The imitative instinct is not the artist's private possession A boy can play cops. This natural tendency to imitate is combined, Aristotle says, with a tendency toward rhythm
Augusto Boal 16. märts 1931 – 2. Mai 2009, Brasiilia, Rios Õppis Columbia ülikoolis New Yorgis( algselt keemiat). Õpetaja oli John Gassner, kes tutvustas talle Brechti ja Stanislavskit. 1955 lavastas (esimest korda?) Pärast lõpetamist 56, palus Arena Teatris Brasiilisa, Sao Paulos. Seal hakkas katsetama, katsetas ka Stanislavskiga, mida varem ei oldud Brasiilias nähtud. Kohandas lavastusi Brasiilia oludele. 64 tuli sõjaväeline riigipööre. 71 ta rööviti tänavalt, piinati? Ja lõpuks saadeti välja Argentiinasse, kuhu ta jäi 5 aastaks. 73 avaldas seal “Theatre of the Oppressed” – baseerub raamatul “Pedagogy of the Oppressed” (Brasiilia haritlane ja kirjanik). Siis reisis Lõuna-Ameerikas ringi, tegi tööd väikeste vaeste seltskondade/inimeste/kogukondadega. - Boal tahtis publikust teha aktiivse osaleja. Tavaline teater on survestav, sest vaataja ei saa sõna/ennast väljendada. Spect-actors....
Kunstiteose tõlgendamisest Edouard Manet teose "The Masked Ball at the Opera" näitel Edouard Manet’ teos Masked Ball at the Opera valmis 1873. aastal. 1874. aastal esitas kunstnik teose Pariisi Salongi näitusele, kuid töö lükati žürii poolt tagasi. Hetkel asub teos Washingoni rahvusgaleriis (National Gallery of Art, DC, USA). Tegemist on õlimaaliga, lõuendi mõõtmeteks 59,1 x 72,5 cm. Pildil on kujutatud maskiballil viibivat rahvahulka, kellest enamuse moodustavad soliidsetes mustades ülikondades torukübaraid kandvad mehed. Pildil olevate naiste (väljaarvatud ühe) nägu varjavad maskid ning enamus neist on riietunud tumedatesse maani kleitidesse. Pildi koloriit on rahvahulga riietusest tulenevalt valdavalt tume ja monokroomne. Värvikamaid nüansse lisavad kirevates kostüümides arlekiinid ning mõned värvilised aksessuaarid. Tumedates tooni...
topple it. In France, Mallarme was doubtless the first to see and foresee in its full extent the necessity of substituting language itself for the man who hitherto was supposed to own it; for Mallarme, as for us, it is language which speaks, not the author: to write is to reach, through a preexisting impersonality — never to be confused with the castrating objectivity of the realistic novelist — that point where language alone acts, “performs,” and not “oneself”: Mallarme’s entire poetics consists in suppressing the author for the sake of the writing (which is, as we shall see, to restore the status of the reader.) Valery, encumbered with a psychology of the Self, greatly edulcorated Mallarme’s theory, but, turning in a preference for classicism to the lessons of rhetoric, he unceasingly questio- ned and mocked the Author, emphasized the linguistic and almost “chance” nature of his activity, and throughout his prose works championed the essentially verbal condition
seventies. Mass culture, cult of personality: the celebrated figures of our time are not men of valour and women of virtue but those significantly called 'beautiful people'. Not imitation of christ but imitation of cosmetics of Princess Diana and Angelina Jolie. Not lives of saints but biographies of stars. Success stories of millionaires. `The swinging Sixties' and `the sagging Seventies'. 13. The politics and poetics of Postmodernism. Resistance to interpretations. Play with language, genre, character, `the true' and `the real'. The role of media and ideology. Differences between post-war and postmodern fiction; postmodernism and modernism. The politics and poetics of Postmodernism Lyotard 'The postmodern condition', Ihab Hassan, Susan Sontag, deliberatley less unified, less obviously masterful, more playful and anarchic,
used selectively and purposefully to express ideas in a given situation. The stylistics of language studies different styles, including registers, stylistic devices and shades of meaning. The stylistics of speech studies individual text, viewing the way the author's message is expressed. Literary stylistics--analyzes means of artistic expressiveness, characteristics of a literary work, a writer, a literary trend or a whole epoch. It is part of literary criticism and poetics. Poetics--studies the structure of a literary work and aesthetic means employed in it. Linguistic stylistics--views linguistic facts from the point of view of their ability to convey additional shades of meaning. Any act of speech passes on 2 types of information: · The content as such · Additional inf. which finds expression in all kinds of extra shades of meaning that are attached to the main content
Social Problems, Vol. 49, No.1, p 1134. Glaser, B.G. & Strauss, A,L. (1967). The discovery of grounded theory: Strategies for qualitative research. New York:Aldine. Haridus ja teadusministeerium. (2011) Eesti 1574aastaste elanike teadlikkus Euroopa Sotsiaalfondist. http://www.hm.ee/index.php?popup=download&id=10975 (06.04.2012). Heckathorn, D.D. & Jeffri, J. (2001) Finding the beat: Using respondentdriven sampling to study jazz musicians. Poetics. Journal of Empirical Research on Culture, the Media and the Arts, Vol 28, p 307 329. Heckathorn, D.D. (1997) Respondentdriven sampling: A New Approach to the Study of Hidden Populations. Social Problems, Vol.44, No.2, p 174199. Heckathorn, D.D. (2002) Respondentdriven sampling II: derivimgvalid population estimates from chainreferral samples of hidden populations. Sosial Problems, Vol. 49, No 1, p. 1134. http://www.respondentdrivensampling.org/ (25.03.2012) Justiitsministeerium
4. Kompleksne e keerukas maastik, mis on segu nendest eelmistest - selline maastik, millega me tavaliselt kokku puutuke, selged tüübid on segunenud Teadus ja tehnoloogia on need, tänu millele me oleme kaotanud kontakti paikade hingedega, inimesed on sõltumatud Topofiilia (paigaarmastus)- emotsionaalsete seoste olemasolu paigaga, sentimentaalsus, seda kasutavad mitmed autorid. Esimesena Gaston Bacherald (prantslane)- The poetics of space. Selle nimelise raamatu avaldas Hiina päritolu mees Yi-Fu Tuan seal sisalduvad mitmed ekstaatilised kogemused, mis meid paikadega ühendavad v mis paikadest tekivad aga 70-ndate keskel tõi üks kanadast pärit geograaf E. Relf välja, et me peaks rääkima dimensioonist, mille üks pool on topofiilia ja teine pool topofoobia Raamat "Hirmumaastikud" (Landscapes of fear) - paikade negat. aspekte käsitleti.
styles including registers, stylistic devices and expressive shades of linguistic units (words, construction of phrases). The Stylistics of speech studies individual texts viewing the way the message or content is expressed. Literary Stylistics concentrates on artistic expressiveness that characterises a literary work or a writer, a literary trend or a whole time period. Thus Stylistics is a part of theory of literature (literary criticism) and poetics. Poetics is a science viewing a structure of a literary work and esthetic means "employ with it". Linguistic Stylistics studies linguistic facts from the point of view of their ability to convey extra shades of meaning (connotations we call them). Any speech act (oral or written) is meant to pass an information. There are 2 types of information: 1. the content proper 2
1. loeng Sissejuhatus: kultuuri mõistest ja määratlustest 1 1. loeng Sissejuhatus: kultuuri mõistest ja määratlustest Mis on kultuur? Erinevad kultuuri määratlemise viisid. ÜLESANNE: Igaüks kirjutab max 3 min jooksul mida tähendab minu jaoks kultuur e. kultuuri definitsiooni. · kultuuri uurimine erinevate teoreetiliste meetoditega · mida on võimalik nende meetoditega teada saada? · mis on kultuur? Mis on ,,kultuur"? Mida mõeldakse kui öeldakse ,,kultuur"? Kui me räägime kultuuri igapäevasest mõistisest e sellest milline on laiemalt (mitte ainult teaduse vaatepunktist) siis võib siin eristada 2 üldlevinud arusaama. Esiteks, enamasti inimesed ei mõtle sellele, mis see kultuur on milles nad elavad, või õigemini, mida nad igapäevaselt elavad. Kultuur on igapäevaselt justkui nähtamatu v vaikiv dimensioon meie elus. Teiseks, paljude inimeste ettekujus kultuurist, kipub küllalt sageli olema staatiline. S.t arvatakse, et kultuur (olgu selleks s...
for someone on some level of the story. A shift in power, the underdog standing up to the bully, the fates dealing a blow to the victorious athlete, a lucky break or a sudden setback, all these are reversals of polarity that punctuate a story and give a sense of dynamic movement. T h e moments of reversal can be thrilling and memorable, like the scene of Norma Roe standing up in the factory to organize the workers. A R I S T O T L E ' S C O N C E P T OF R E V E R S A L Aristotle in his Poetics describes the essential dramatic device of the reversal. H e calls it peripateia, which refers to the "Peripatos" or covered walkway of Aristotle's Lyceum where he used to walk and talk with his students, developing ideas as they strolled back and forth. Perhaps he used the structure to demonstrate his logic, building up an argument forcefully as they traversed the colonnade in one direction, then demol ishing it just as thoroughly on the reverse trip.
annaabi.ee 
Sisene Facebook'ga
Sisene Google'ga
Sisene LinkedIn'ga
