kujundusele (Bob Crowley lavakujunduse eest ja Natasha Katz valguskujunduse eest) ja parimatele kostüümidele (Bob Crowley). Auhinnad jagati 20. mail 2002. Aidale langesid parima muusikali, parima lavastuse, parima naispeaosatäitja (Simone), parima naispeaosatäitja ja parima kujunduse auhind. 2002/2003 Ameerika Ühendriikide ringreis jätkus. Osades olid Paulette Ivory (Aida), Jeremy Kushnier (Radames), Lisa Brescia (Amneris), Robert Neary (Zoser) ja Eric L. Christian (Mereb). Ringreis peatus ka Torontos. Etendused kestsid 7. maist 31. maini 2003. Zoserit laulis Micky Dolenz. Aida Hollandis 21. augustil 2001 esietendus hollandikeelne Aida Scheveningenis. Aida osas olid Chaira Borderslee, Carolina Dijkhulzen ja Leona Philippo. Radamest mängis Bastiaan Ragas, Amnerist Antje Monteiro, Zoserit Frans van Deursen ja Merebit Marlon David Henry. Detsembri lõpus 2001 ilmus plaat.
" A prologue can serve several useful functions. It may give an essential piece of backstory, cue the audience to what k i n d of movie or story this is going to be, or start the story with a bang and let the audience settle into their seats. In Close Encounters of the Third Kind, a prologue shows the discovery of a mysterious squadron o f W o r l d W a r II a i r p l a n e s , perfectly preserved in the desert. T h i s precedes the introduction of the hero, Roy Neary, and his world. It serves to intrigue the audience with a host of riddles, and gives a foretaste of the thrills and wonder ahead. In The Last Boy Scout z prologue shows a pro football player going berserk and shooting his teammates under the pressure of drugs and gambling. T h e sequence pre cedes the first appearance of the hero and intrigues or "hooks" the audience. It signals that this is going to be an exciting action story involving life-and-death matters.
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