ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.
sounding victorious and bright in augmentation, exhibiting the triumph of fulfilling all
expectations.
In the development of the first movement several thematic elements collide. The
direct struggle takes place between the chromatics accompanying the introductory
theme and the brightness of the subsidiary theme. Growing depression is surmounted
by the new theme that gains its strength from the folk song extending into a powerful
and broad melody. Aavik remains a melodist, the fullness and sonority of tune are the
typical features of this work.
Everything is based on classical form and a romantic way of thing. This is quite
natural because Aavik belongs to the first generation of Estonian symphonists.
Rhythmic inquietude and “floundering” is alien to Aavik. The vivid feeling for the
timbre colours must be felt. The whole work is simple in its architecture, the themes
and their developed, qualitatively renewed repetitions stand out as building blocks.