Monika Mattiesen Monika Mattiesen (sündinud 4. juulil 1966) on eesti flötist. Monika Mattiesen on töötanud Pariisis IRCAMi stuudios, valmistades ette seal resideeruvate heliloojate (Saariaho, Manoury, Fedele, Jodlowski) teoseid. Ta on osalenud Stockhauseni kursustel Kürtenis, kus koostöös heliloojaga jõudsid tema repertuaari mitmed Stockhauseni elektroakustilised teosed. 2004. aastal IRCAMi/Acanthesi meistrikursustel Metzis kandis Monika Mattiesen ette Philippe Manoury elektroakustilise suurteose "Jupiter", muusikaliseks assistendiks helilooja ise. Solisti ja kammermuusikuna on ta esinenud Eestis, Soomes, Lätis, Poolas, Rootsis, Venemaal, Kreekas, USA-s, Colombias. Monika Mattiesen on salvestanud ja toonud esiettekandele mitmeid spetsiaalselt temale kirjutatud uusi flööditeoseid, autoriteks eesti heliloojad Kõrvits, Siimer, Tally, Grigorjeva, Tulev, Kõlar, Steiner, Lill, Tüür jt.
along more harm than good. This is so much swampy ground that I would not fall into such a slough.1 The fifth generation of composers has produced some notable authors. Mari Vihmand (b. 1967) graduated from the Tallinn State Conservatoire in 1990 as a student of Professor Tamberg and completed her Master’s studies with Professor Sumera in 1997. She took advanced courses at the Lyon Conservatoire in 1996/1997 with Professors Philippe Manoury and Gilbert Amy. In 1996, her orchestral piece Floreo was nominated as the best at the UNESCO Rostrum for young composers in Paris. Floreo exhibits individuality as a programmatic opus. In principle, Floreo is a colourful work, music flowing as if without measure. The composer has concentrated on chamber music being both lyrically intimate with an impressionistic undertone and driving dramatics. It is obvious that French music has served for her as an example
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