Algus 1958, Pariisis Iris Clert'i galeriis "Tühjus" 1967. aastal määratleb ja propageerib Sol LeWitt Mõjukaim Joseph Kosuth "Kunst tõestab ennast ise nagu matemaatikagi" - J. Kosuth "Kui keegi ütleb, et miski on kunst, siis see ongi kunst" - D. Judd John Baldessari (s. 1931) "A TWO-DIMENSIONAL SURFACE WITHOUT ANY ARTICULATION IS A DEAD EXPERIENCE." (1967) John Baldessari (s. 1931) "Painting for Kubler" (1967-68) John Baldessari (s. 1931) "Quality material" (1967-68) Joseph Beuys (1921-1986) How to Explain Pictures to a Dead Hare (1965) Jenny Holzer (s. 1950) "Truisms" (1977-...) Jenny Holzer (s. 1950) "Inflammatory essays" (1978-1979) Joseph Kosuth (s. 1945) "One and three chairs" (1965) Joseph Kosuth (s. 1945) "Leaning glass" (1965) Barbara Kruger (s. 1945) Osa piltidest, mis ta tegi 2007. aastal toimunud esimesele Lõuna-
hero. Peter O'Toole as Lawrence of Arabia shows us a man who, after the Ordeal of the battle of Aqaba, is horrified to discover that he loves killing. Another error heroes may make at this point is simply to underestimate the significance of the Supreme Ordeal. Someone hit by the hammer of change may deny that anything has happened. Denial after an encounter with death is one of the natural stages of grief and recovery described by Dr. Elisabeth Kubler-Ross. Anger is another. Heroes may just let off some steam after the Ordeal, expressing justifiable resentment over having been made to face death. Heroes may also overestimate their own importance or prowess after a duel with death. But they may soon find out that they were just lucky the first time, and will have other encounters with danger that will teach them their limits. THEWIZARDOFOZ
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