DANGER DIFFERENCE Ex1. 1. Realise 2. Exposed to 3. Reduce 4. Flirt Ex1. 1. C 2. D 3. E 4. B 5. A with 5. Passed 6. Face Ex2 . 1. Subtle 2. Irreconcilable 3. Real 4. Striking Ex2. 1.e 2.d 3.b 4.a 5.c 5. No 6. Fundamental Ex3. 1. To 2. Of 3. To 4. Of Ex3. 1. B 2. A 3. E 4. C 5. D Ex4. 1. Reminder 2. Whiff 3. Element 4. Face 5. Ex4. 1. Between 2. In 3. To 4. With Aware 6. Possibility DIFFICULTY Ex5. 1. The world's rainforests are in danger of Ex1. 1. Get into 2. Overcome 3. Isin/has got into being cut down 2. The Leaning Tower of Pisa is in 4
effect of a question mark, and the feeling that uncertainties remain. T h e final im age may pose a question such as " W i l l the hero Return with the Elixir or will it be forgotten?" A n open-ended story may also trail off with the feeling of an el lipsis. Unspoken questions may linger in the air or conflicts may remain unresolved with endings that suggest doubt or ambiguity: " T h e hero can't decide between two women, and therefore..." or "Love and art are irreconcilable, so..." or "Life goes on... and on... and on..." or "She proved she's not a killer, but..." One way or another, the very ending of a story should announce that i t s all over — like the Warner Bros, cartoon signature line "That's all, folks." Oral storytellers, in addition to using formulas like "...and they lived happily ever after," will sometimes end folktales with a ritual statement like "I'm done, that's that, and who'll ease my dry throat with a drink
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