ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.
It turns endless eternal existence into the perceivable. A
Christian thinks that music can express God leading to Him at the same time, as He is the
highest condition for all spirituality in every day life. The purifying effect of music is the more
successful the more it expresses the inexpressible. 2
Every kind of music is just the reflection of its author, his inner Being. Looking
back historically we see that all spiritual masterworks in music have been built up
homogenously as one spiritual homogenous expression, pure means and genuine
emotion.
Estonian masters Rudolf Tobias, Artur Kapp and Cyrillus Kreek have their
individual approach. Tobias brought forth all-human ideas and goals in his monumental
sound-architecture Jonah, declaring that spiritual music is a powerful means, the
unseen threads connecting music and spiritual world; the modern composer is but
lacking interest towards the transcendental.3 Kapp expresses his multidimensional