ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.
depicts a grotesque picture. Bustle and rustling everywhere, the composer looks on with
a humorous smirk. Thereafter he lets in rough and menacing force (trombone).
Example 103.
At the beginning of the third movement a heavy stamping of timpani starts and
it generates a feeling of fatality.
Example 104.
An atmosphere of mourning: strings begin with tapping followed by a desperate
crackle. Trumpets and trombones are protesting. All of it is but grey haziness, pressure
and pain. A clear, melodious thought unexpectedly permeates through the chaos. In the
following Poco meno, a piano piece for children, The Sweet Dream by Tchaikovsky is
heard. The childish serene thought stands as an ideal and counterbalance to the previous
bellicose gloom. The former wins.
The lack of fixed themes, brutality, harshness and anxiety as rendered by several
images realise Pärt’s conception. There is an abundance of so-called background music