Cialdini raamat
audiences find distasteful, and they do so over the objections of many of their
most talented artists. It is not uncommon for acclaimed directors, writers, or ac-
tors to demand the elimination of canned responses from the television projects
they undertake. These demands are only sometimes successful, and when they
are, it is not without a battle.
What can it be about canned laughter that is so attractive to television ex-
ecutives? Why are these shrewd and tested people championing a practice that
their potential watchers find disagreeable and their most creative talents find
personally insulting? The answer is both simple and intriguing: They know what
the research says. Experiments have found that the use of canned merriment
causes an audience to laugh longer and more often when humorous material is
presented and to rate the material as funnier (Provine, 2000). In addition, some