Filmikunsti ajalugu
separated, ambigious time and space relationships, actions
The first ,,biograph" years
Develops new editing techniques that change the ,,inter-frame narrative", screen direction,
180 degree shooting, cun-in, parallel editing in a non-chase svene, first elements of
associative editing, pint of view of shots, alternate shots of fifferent spatial lenghts, close-up,
three parallel actions cross-cut, rapid aternation of shotrer and longer duratioin, use of fade-
in/fade-out in the beginning /the end of a film
The last ,,biograph" years
Innovations in the intra-frame narrative, focus on actor's directing. Attempt to get acting more
natural). More attention to set design, use of expressive lighhtning, use of moving camera,
tracking shots,(camera on cars, rails etc), composition of shots in depth (action in the
foreground, middle-ground and background)
American cinema becomes ,,Hollywood"
1911 whole film production was in new york