Kuid muusika abiga suudab Maria laste südamed võita. Ja mitte ainult – ka kapten Von Trapp armub temasse. Kõik võiks olla ilus, kuid aastal 1938 nõuab Natsi- Saksamaa, et kapten asuks oma endisele kohale laevastikus. Näitlejad Julie Andrews (Maria von Trapp) Christopher Plummer (kapten Georg von Trapp) Charmian Carr (Liesl von Trapp) Peggy Wood (ema Abbess) Richard Haydn (Max Detweiler) Nicholas Hammond (Friedrich von Trapp) Heather Menzies (Louisa von Trapp) Duane Chase (Kurt von Trapp) Angela Cartwright (Brigitta von Trapp) Debbie Turner (Marta von Trapp) Kym Karath (Gretl von Trapp) Eleanor Parker (Baroness Elsa Schrader) Daniel Truhitte (Rolfe) Ben Wright (Hans Zeller) https://www.youtube.com/watch?v=x IjobdArtiA https://www.youtube.com/watch?v =33o32C0ogVM AITÄH
Salovey have applied this insight to the medical arena, where individuals are fre- quently urged to undergo tests to detect existing illnesses (e.g., mammography pro- cedures, HIV screenings, cancer self-examinations). Because such tests involve the risk that a disease will be found and the uncertainty that it will be cured, messages stressing potential losses are most effective (Rothman 8{ Salovey, 1997; Rothman, Martino, Bedell, Detweiler, 8{ Salovey, 1999). For ex-ample, pamphlets advising young women to check for breast cancer through self-examinations are significantly more successful if they state their case in terms of what stands to be lost rather than gained (Meyerwitz 8{ Chaiken, 1987). In the world of business, research has found that man- agers weigh potential losses more heavily than potential gains (Shelley, 1994). Even
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