could not be kept without difficulty; for the curiosity excited by his long absence burst forth in such very direct questions on his return as required some ingenuity to evade, and he was at the same time exercising great self-denial, for he was longing to publish his prosperous love. As he was to begin his journey too early on the morrow to see any of the family, the ceremony of leave-taking was performed when the ladies moved for the night; and Mrs. Bennet, with great politeness and cordiality, said how happy they should be to see him at Longbourn again, whenever his engagements might allow him to visit them. "My dear madam," he replied, "this invitation is particularly gratifying, because it is what I have been hoping to receive; and you may be very certain that I shall avail myself of it as soon as possible." They were all astonished; and Mr. Bennet, who could by no means wish for so speedy a return, immediately said:
1 First performed by ERSO, 30 Sept. 1948, under Sergey Prokhorov. much attention to refined details. His ideological aim was to advance the struggle and development of despair and hardship towards the light. The building materials for him were rocks. He did not like the finishing touches… A great philosophic seriousness, honesty in work, evocativeness, profound love of classical music, escape from the ravishing Bohemian spirit, cordiality, a peculiar humour, which could occur as satire, the grotesque or sarcasm; all this was combined in him. 1 Heino Eller’s music was mostly inspired by nature; turning to nature’s infinite resources he evoked the sense of spaciousness and largess in several of his works. This feature is inherent in Eller’s earlier tone poems like Dawn and Calls of the Night. One of the best works of Eller in his last creative period is undoubtedly the tone poem
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