Description of an Interesting Person I Have Met It was early morning in Finland when I had just waked up. I was very tired, and I decided to go to the beach and just lie on the hot sand and sunbathe. When I creamed myself somebody bumped into me and that was him. He was chasing volleyball and after he had bumped into me he apologized and asked me to play volleyball with his friends and I agreed. He wore chequered shorts and his upper body was naked. He was very handsome, because he was about 180cm long, muscular and strong physiognomy. He had wavy nose, blonde stylish hair, thick lips, bright colour brows and deep blue eyes. He was very friendly .I laughed most of the time with him, because he known a lot of anecdotes and he had done so much funny things in his life. I am very surprised about the way he looked and the way he acted, because everything was so great.
In the final movement the independent juicy seventh chords are freely combined. Besides several ingenious images there appears to be a certain variegation of material, impatient in its rendering. The symphonic poem The Legend of the Liberator (1975)1, naturally a Soviet soldier is meant here, has a serious and grave introduction followed by the simple and rigorous image of the soldier: Example 203. The middle section depicts a battle scene; it is chequered in colours, registers and clusters. The struggle becomes dramatic, proceeding along a long “front line”. The fallen ones are remembered, the music is subdued and epic. Kuulberg is thinking and shaping everything with colouring, register, harmony and texture, the intertwining is essential. Such a complexion supports the musical ideas and emotions. All is generalised, “democratic” and understandable to a simple listener, be they a combatant or non-combatant.
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