Christopher Vogler The Writers Journey
As Good as It Gets, 3 2 5 , 3 7 1
Athena, 3 9 , 4 1 , 6 3 , 74, 1 1 7 , 1 2 0
Athens, 3 4 7 - 3 4 8
Audience identification. See Identification
Avoidance, 1 0 8
Awakening the Heroes Within by Carol S. Pearson, 3 7 , 3 7 3
Awakenings, 194, 3 7 1
:story, 8 6 , 9 4 - 9 5 , 9 7 , 3 3 1
M a n c e , 1 0 1 , 147, 1 6 1 , 167, 190, 2 1 8 , 2 2 0 , 2 4 3 , 2 8 7 - 2 8 8 , 2 9 6 , 318, 3 2 1 , 324,
327-332, 348
Ballard, Robert, 2 3 8
Barbarossa, 122, 1 9 8 , 3 7 1
Bars, saloons, cantinas, watering holes, 1 3 - 1 4 , 1 3 7 , 1 3 9 - 1 4 0 , 2 7 3 - 2 7 4 , 2 8 1
Baseball metaphor, xxv, 2 3 2
Basic Instinct, 6 2 , 105, 2 1 9 , 2 2 4 , 2 2 8 , 3 7 1
Be prepared, 1 4 6
Beauty and the Beast, xxxi, 6 7 , 9 4 , 112, 1 7 7 , 2 5 8 , 2 6 6 , 3 7 1
Beginnings, 2 1 8 , 2 2 4 , 2 4 9 , 3 0 4 , 3 0 8 , 3 2 9 , 3 3 9 , 3 4 1 - 3 4 2 , 3 4 4 , 3 7 0
Beverly Hillbillies, The, 10
Beverly Hills Cop, 1 0 - 1 1 , 13, 15, 17, 3 7 , 7 9 , 112, 1 2 8 , 1 3 6 , 144, 1 5 6 , 164, 3 7 1
Bible
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