"cadenzas" - 1 õppematerjal

ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.

Novel techniques of composition had become a part of Estonian symphonism. In the middle of the decade, the first manifestations of collage technique became noticeable. An example of this is Arvo Pärt’s Collage on B-A-C-H for string orchestra, oboe, harpsichord and piano (1964), which has quotations from a Saraband by Bach (The English Suite in D minor); also, in his Cello Concerto Pro et Contra (1966) with Baroque cadenzas, and in Credo (1968) for mixed choir and symphony orchestra, the basic material being the C major Prelude by Bach (from The Well-Tempered Clavier I). 1 Ivar Kosenkraius, Film ja aeg: esseid, etüüde, portreevisandeid (Film and Time. Essays.) (Tallinn: Eesti Raamat, 1974) 98.  At the end of the Sixties, the symphonism of Jaan Koha (1929-1993) reached maturity. The thematic material of the First Symphony (1960)2 is thoroughly national,