a paažiks feodaaliks, siis kannupoiss. Rüütel pidi olema õilsad, truud, vaprad, võitlema surmani 8. Õpik lk 137 küsimused 1,2,3,5,6 vaata vihikust 9. Dateeri viikingiaeg kestis 8-11. sajand milliseid mõjutusi tõid nad Euroopasse. laastamisretked ja vägivald ning sõjad, röövretked Miks hakkasid nad laialdaselt ringi rändama. ülerahvastatus, põllumaa puudus ja seiklusjanu Valhalla-jumalate kogu Asgard-jumalate vald, eraldi surelike vallast Odin, Thor, Freya-jumalad Berserk-karusnahkades röökiv viikinglane varjaag – viiking Venemaal normann-viiking Prantsusmaal Kirjelda lühidalt viikingite ühiskonda (kohus, kes juhtis, kus elasid, millega tegelesid, naise positsioon) 10. Kes olid frangid? germaani hõimud, kes elasid Reini ülem- ja almjooksul 11. Chlodovech-Frangi suurriigi rajaja merovingid-5-7. saj valitsev dünastia karolingid-Karl Suure dünastia karolingiderenessanss-kultuuriline tõus majordoomused-Merovingide kuninga kojaülem
sports. The actions of the athletes are not the issue, though. After all, in the heated contact of the game, they are entitled to an occasional eccentric outburst. Instead, it is the often raging, irrational, boundless fervor of sports fans that seems, on its face, so puzzling. How can we account for wild sports riots in Europe, or the mur- der of players and referees by South American soccer crowds gone berserk, or the unnecessary lavishness of gifts provided by local fans to already wealthy American ballplayers on the special "day" set aside to honor them? Rationally, none of this makes sense. It's just a game! Isn't it? Hardly. The relationship between sport and earnest fan is anything but game- like. It is serious, intense, and highly personal. An apt illustration comes from one of my favorite anecdotes. It concerns a World War II soldier who returned to his
In Close Encounters of the Third Kind, a prologue shows the discovery of a mysterious squadron o f W o r l d W a r II a i r p l a n e s , perfectly preserved in the desert. T h i s precedes the introduction of the hero, Roy Neary, and his world. It serves to intrigue the audience with a host of riddles, and gives a foretaste of the thrills and wonder ahead. In The Last Boy Scout z prologue shows a pro football player going berserk and shooting his teammates under the pressure of drugs and gambling. T h e sequence pre cedes the first appearance of the hero and intrigues or "hooks" the audience. It signals that this is going to be an exciting action story involving life-and-death matters. T h i s prologue and the one in Close Encounters are a little disorienting. T h e y hint that these movies are going to be about extraordinary events that may strain credibility
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