green flowers? These flowers could help me to heal.'' Cassy agreed and said: ''I pack my suitcase tomorrow morning.'' Then she went to Sebastian and told him: ''I'm going to leave tomorrow morning and will be back after a week.'' Sebastian was in the bed and very sleepy, he couldn't understand and he thought this was just a dream, but in the morning he understood this was real. Cassy was already half way to Far Far Away when she reached ocean. At the beach she saw red bubbles shaped as big basketballs. Crossing beach made her journey much harder. Finally she reached Far Far Away. It was really snowy there. Despite the snow there were green flowers everywhere. She took some green flowers and began to run back home. Five days went along before Cassy came back. Sebastian and old woman were very happy to see her. Cassy gave the flowers to old woman. She ate the flowers and fell asleep. When old woman woke up next day, she was cured and healthy again
quick irregular darts. (total of 90 minutes devoted to REM during sleep ) · Hypothesis: the direction of the eye movements observed during a given REM periods is appropriate to what the subject recalls having seen while dreaming. When predominant direction of eye movements was up and down, one subject dreamed he had thrown basketballs, looking up the net and shooting, then looking down to pick another ball off the floor. · In contrast, another REM period in which the eye movements were mostly from side to side, produced a dream in which the subject watched two people throwing tomatoes at each other. Dreams as Cognition: Dreams reflect what we know, what we have experienced, remembered, thought about- activities psychologists call 'cognition'.
T h e robots managed to shut off I have a badfeeling about this. 160 T H E ORDEAL the trashmasher and the heroes have miraculously survived. T h e grief of the robots and of the audience suddenly, explosively, turns to joy. T H E E L A S T I C I T Y OF E M O T I O N H u m a n emotions, it seems, have certain elastic properties, rather like basketballs. W h e n thrown down hard, they bounce back high. In any story you are trying to lift the audience, raise their awareness, heighten their emotions. T h e structure of a story acts like a pump to increase the involvement of the audience. Good structure works by alternately lowering and raising the hero's fortunes and, with them, the audience's emotions. Depressing an audience's emotions has the same effect as holding an
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