Christopher Vogler The Writers Journey
choose between M r . Big and the young drifter or detective.
Leonardo D i C a p r i o plays the drifter corner of the triangle in Titanic. T h e
secret o f his remarkable attractive powers may be that he projects the archetypal
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EPILOGUE: LOOKING BACK ON THE JOURNEY
mask of the sensitive young man, displaying both masculine action and feminine
sensitivity. H e is well suited to play Jack, a Peter Pan, a puer aeternas (eternal
y o u t h ) who remains forever young by his beautiful, sacrificial death. Rose is another
Wendy, a girl in bedclothes running around a ship dodging an evil Captain H o o k
while the eternal youth teaches her how to fly and how to embrace life. T h e iceberg
and the ticking of the clock fulfill the same archetypal purpose as the crocodile
which has swallowed a clock in Peter Pan. T h e y are projections o f the Shadow,