the other half would be abusing female presence. In Egypt, females (locals and travellers) are abused verbally as well as physically (The New York Times, 2013). The reason for that is behind culture norms, many female travellers have written countless blogs about how they felt harassed while their trip in Egypt. How they tried to be polite and follow local customs, but they were still followed at the streets by Egyptian men (Young adventuress, 2012). Local women need permissions/escorts for even walking in the streets (The New York Times, 2013). In western world, female tourists can be as free as they want to be. Some of the countries with advanced tourism has gone a step forward and created female-only tourist attractions. For instance in Estonia, in one of the most famous beach resort, they have separate female only beach, where this place and space has been guaranteed (Eesti Päevaleht, 2013).
spirals down into mystery, a last S A C R I F I C E that says her experience and memories are more important than any physical possession. T h i s is the E L I X I R , the healing message the movie means to send the audience home with. Dissolve now to O l d Rose falling asleep, surrounded by photos of her long, foil life. Here, after F I N A L O R D E A L , is F I N A L R E W A R D , fulfillment of Jack's prophecies — Rose is an adventuress, a pilot, an actress, riding horses by a California pier, having babies, living a life for both of them, part of the E L I X I R she brought back. T h e dark wounds of her family history have been healed. Rose dreams, and in that S P E C I A L W O R L D the T i t a n i c and its passengers live again, R E S U R R E C T E D by the power o f the unconscious. T h r o u g h Rose's eyes, we pass the T H R E S H O L D G U A R D I A N S of the W h i t e Star Line one
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