Õngepüük Õngpüünis on püünis, millega püügi põhimõte seisneb kala peibutamises õngekonksule kinnitatud söödaga või muu peibutusvahendiga, mille haaramisel kala haakub. Lubatud õngpüünised on: 1) lihtkäsiõng, mis koosneb ridvast, kuni 1,5 ridva pikkusest õngenöörist, üheharulisest konksust ja millega püügil kasutatakse looduslikku sööta ning mis võib olla varustatud raskuse ja ujukiga; 2) spinning, mis koosneb rõngastega ridvast, ridvarullist, õngenöörist ja landist või rakisest, võib olla varustatud vahetrossi, lisaraskuse ja nn peibutustirguga; 3) käsiõng, mis koosneb ridvast, õngenöörist ja sellele lipsudega kinnitatud kuni kolmest
...........................................................5 3.Lihtkäsiõng...............................................................................................................................8 3.1Lihtkäsiõnge ritv................................................................................................................ 9 3.2 Lihtkäsiõnge tamiil........................................................................................................... 9 3.3Lihtkäsiõnge konks............................................................................................................ 9 3.4Lihtkäsiõnge ujuk...............................................................................................................9 4.Spinning................................................................................................................................. 10 4.1 Spinninguridvad.........................................................................................
This gear is generally used for target species tight on the bottom, such as angler, flatfish and Nephrops. By towing two nets side by side the effective swept area, and hence catch, is increased. As with the single demersal trawl above, otter boards (a) provide the horizontal spreading forces and floats and groundropes the vertical forces. The obvious difference in rigging is the third wire or central warp (b), which runs from the vessel to the clump (c), a heavy weight which can consist of short lengths of chain cable shackled together or a custom made device (Fig. 12) designed to roll rather than be dragged along the bottom. Warp length/water depth ratios are similar to those used with the single demersal trawl and bridles/sweeps (d) can be steel wire, combination wire, chain or a mixture of all three. Normal towing speed used is around 2.5 knots. 13
tiib 3 4 harvesting of channel catfish ponds Püük kalda- nootadega 5 Beach seining the main stem Salmon River, Oregon Lõhipüük kaldanoodaga Oregonis (USA) 6 12.2. Püük separaatoritega fish wheel Fish wheels at Chitina 7 Yukon, fish wheel fish wheel Fish wheels used to capture salmon in the lower Chilkat River 12.3. Püük viskevõrguga. Ingl. k. cast Nets 8 HOW CAST NETS WORK
materjalist, ka kividest), mis suunab kala kas seina otsas olevasse kasti või mingisse veekogu ossa, kust kala on raske leida väljapääsu. Seejuures kasutatakse ära kala orienteerumist hoovustele, vee sügavusele jne. Tihti kasutatakse tänapäeval kalatõkkeid lihtsalt ka kalasuunamiseks sinna, kust teda on lihtsam püüda mõne teie püünisega. Kalatõkete hulka kuulub ka kalasuunamine vajalikus suunas, kasutades selleks mingeid füüsikalisi välju (elekter, õhkkardinad) Weirs help Fish and Game workers count fish moving up or downstream. Sustainable fishing: improving management Tuna fishing 'Almadraba' style, Spain. This type of Mediterranean fishing is based on setting out a labyrinth of nets to intercept different species of tuna in their migration. If the fishing quota is respected, this type of fishing is very selective and sustainable. © WWF-Canon / Jorge BARTOLOME Tonnara Photos in a tuna trap, and carrying Norbert's video camera.
big log or stone. If the net will not come loose you must break it loose by breaking the leadline or the piece of twine that holds the sinker to it. If you have a large boat with a powerful engine you will usually be able to free the net by tying it to the boat and going ahead until the net breaks loose. Be careful not to get the net in your propeller while you go ahead 15 Many fish that live on the bottom like to be around rocks or weeds where they have places to hide and plenty to eat. Some fish hide in the rocks in the day and come out at night to eat. Find out what the bottom is like in different places by diving or looking down in the water. Find out where there are rocks, weeds or other places where fish are likely to gather. Learn the habits of the fish by setting the nets in different places to see what kind of fish you catch.
Any such phrase is of an interest in stylistics: USUAL UNUSUAL a week / month ago a grief ago / a smile ago / a cigarette ago delicious meal delicious murder ungrammatical sentence ungrammatical house a crooked street a crooked hook bloodthirsty killer bloodthirsty embrace "Colourless green ideas sleep furiously" - (highly original). OR: e. e. comings (modernist poet): "My father moved through dooms of love Through sames of am through haves of give ..." (here "am" becomes a noun, also "have" becomes a noun). J. Joyce "Ulysses" in last chapter for 44 pages comes no single mark of punctuation but nevertheless it has 8 paragraphs. Why
an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com Crown Archetype with colophon is a registered trademark of Random House, Inc. All registered trademarks in this book are property of their respective owners. Library of Congress Cataloging-in-Publication Data Ferriss, Timothy. The 4-hour body / Timothy Ferriss. -- 1st ed. Includes bibliographical references and index. 1. Health. 2. Physical fitness. 3. Weight loss. I. Title. II. Title: Four-hour body. RA775.F47 2010 613.7--dc22 2010018533 eISBN: 978-0-307-46365-4 All illustrations by Fred Haynes/Hadel Studio, unless otherwise noted in the Photo and Illustration Credits section Jacket front-flap photos: (top) (c) Mark Reifkind; (bottom) (c) Photos taken by Inge Cook, provided courtesy of Ellington Darden, PhD v3.1 For my parents, who taught a little hellion that marching to a different drummer was a good thing. I love you both
in girder fashion, flat stones, such as the clapper bridges of Dartmoor in Devon (UK), or festoons of vegetation, twisted or braided and hung in suspension. These three types - beam, arch, and suspension - have been known and built since ancient times and are the origins from which engineers and builders derived various combinations such as the truss, cantilever, cable-stayed, tied- arch, and moveable spans. The essential difference among types is the way they bear their own weight - the "dead load" and the "live load" - a person, the railway train, wind, or snow that is applied to the bridge. The weight of beam, truss, and girder bridges bears directly downwards from their ends on the ground, piers, or abutments. Arch bridges thrust outwards as well as downwards, acting in compression. The cables of suspension bridges act in tension, pulling inwards against their anchorages.
sufficient for the systems, machines, and equipment, and be sure to provide the systems, machines, and equipment with double safety mechanisms. This manual provides information for programming and operating the Unit. Be sure to read this manual before attempting to use the Unit and keep this manual close at hand for reference during operation. ! WARNING It is extremely important that a PC and all PC Units be used for the specified purpose and under the specified conditions, especially in applications that can directly or indirectly affect human life. You must consult with your OMRON representative before applying a PC System to the above-mentioned applications. 3 Safety Precautions
remarkable shift in the building industry. Intelligent 3D technology in the form of Building Information Modeling (BIM) not only promises to improve the notoriously inefficient construction process, but also opens the door for designing new geometric shapes, which until recently have been considered unbuildable. Steel has been extensively used to build some of the most challenging architectural icons of the 21st century, due to its low weight and high strength in both compression and tension. Therefore, the steel design and construction industry has been on the forefront of technical innovation. The purpose of this study is to determine how 3D and BIM are changing the design, fabrication and construction of complex steel structures. The thesis is qualitative in nature, in that it tries to determine the effects of virtual design and construction based on in-depth analysis of two case studies
1 Frequent oil and filter changes are the most spanner (see illustration). If possible, try to engine. If it has, carefully remove it. important preventative maintenance keep the plug pressed into the sump while 10 Apply a light coating of clean oil to the procedures that can be undertaken by the DIY unscrewing it by hand the last couple of turns. sealing ring on the new filter, then screw it into owner. As engine oil ages, it becomes diluted As the plug releases from the threads, move it position on the engine. Tighten the filter firmly and contaminated, which leads to premature away sharply so the stream of oil issuing from by hand only - do not use any tools. Wipe engine wear
The plaintext is the message that will be put into secret form. Usually the plaintext is in the native tongue of the communicators. The message may be hidden in two basic ways. The methods of steganography conceal the very existence of the message. Among them are invisible inks and microdots and arrangements in which, for example, the first letter of each word in an apparently innocuous text spells out the real message. (When steganography is applied to electrical communications, such as a method that transmits a long radio message in a single short spurt, it is called transmission security.) The methods of cryptography, on the other hand, do not conceal the presence of a secret message but render it unintelligible to outsiders by various transformations of the plaintext. Two basic transformations exist. In transposition, the letters of the plaintext are jumbled; their normal order is disarranged. To shuffle secret into ETCRSE is a transposition. In substitution, the letters of the
Professor Toldrá has acted as editor or Fellow of the Institute of Food Technologists associate editor of several books in recent (IFT). xv Handbook of Meat Processing Part I Technologies Chapter 1 Chemistry and Biochemistry of Meat Elisabeth Huff-Lonergan Introduction content is 75% of the weight of the muscle; however, can vary, particularly in postmor- Muscle cells are among the most highly orga- tem muscle (range of 65–80%). Within the nized cells in the animal body and perform a muscle, it is the primary component of extra- varied array of mechanical functions. They cellular fluid
five-thousandths of a second. 1951 The UNIVAC I delivered to the U.S. Census Bureau was the first commercial computer to attract widespread public attention. Although manufactured by Remington Rand, the machine often was mistakenly referred to as the "IBM UNIVAC." Remington Rand eventually sold 46 machines at more than $1 million each. SPEED: 1,905 operations per second INPUT/OUTPUT: magnetic tape, unityper, printer MEMORY SIZE: 1,000 12-digit words in delay lines MEMORY TYPE: delay lines, magnetic tape TECHNOLOGY: serial vacuum tubes, delay lines, magnetic tape FLOOR SPACE: 943 cubic feet COST: F.O.B. factory $750,000 plus Early AI programs: checkers, chess (in Britain) Strachey wrote a checkers program for the Ferranti Mark I at Manchester (with Turing's encouragement and utilising the latter's recently completed Programmers' Handbook for the Ferranti computer). By the summer of 1952 this program could, Strachey reported, "play a
PIL directly regulates private persons, e.g. punishment of international crimes (crimes against peace=crime of aggression, genocide, crimes against humanity, war crimes). This is if specific countries do not want to punish the criminals, specific international tribunals etc are created to do the job for them. Humanitarian doctrine if a certain country violates human rights very severely and if other attempts have failed to prevent and stop this, then war can be used as a method to stop this stuff. Süüria chemical weapons doctrine is one of the strongest doctrine ever, respected by almost everyone, that's why people are so shocked about the events there. It's a grave violation of PIL. If there's enough evidence that chemical weapons were used, then war is basically a legal method, but not fully, because it isn't one of the reasons that allows war as a method to resolve conflict. Differences:
examples (piano arrangements and some score originals) have been added. There is a Bibliography and list of useful addresses. I have worked on this text for twenty-five years, with some intervals, paying a lot of attention to the phenomena of cultural life in general. Without this background and the changes in it there would be no new and novel happenings in the Arts. For evaluating the past and present we need a perspective. This perspective cannot be confined to that which is at hand at the present moment: it loses its sense. While examining our present achievements we must not praise them excessively: this may lead to the abasement of the ideal. The essential development of Estonian music has taken place within the past one hundred years. The creation of national symphonic works indicated that a remarkable cultural level had been attained. A need for such music had arisen and there were composers able to fulfil that need. Further development has brought forth
gel entrapment / trapped inside gel e.g. silica (lattice / matrix); partially permeable membrane (polymer) microspheres; 3 (ii) any three from the following: urine can be processed / no problem of removing urine / AW; pure / drinkable / useable, water produced; A water recycled space saving / less water needs to be taken into space; payload limit / weight reduction / AW; no problem in separating enzyme from products / product not contaminated; ref. to longer shelf-life of enzyme; no need to take more enzymes into space / enzymes reusable; A enzymes recoverable AVP; e.g. larger surface area of enzyme exposed, more stable at extremes, ref
Alexius Meinong (1904/1960) had boldly leapt to deny J6, insisting à la St. Anselm that any possible object of thought--even a self-contradictory one--has being of a sort even though only a few such things are so lucky as to exist in reality as well. Moriarty has being of that sort and can be referred to, even though--fortunately for England and the world--he lacks the property of existing. 2 With that otherwise unexplained distinction in hand, Meinong could deal handily with negative existentials in particular. Such a sentence says, of an entity that (of course) has being, that that entity lacks existence. Secretariat, Seabiscuit and Smarty Jones were horses that existed but lacked wings; Pegasus had wings but failed to exist. It happens. Less implausibly, Frege himself dealt with Apparent Reference to Nonexistents by rejecting J3: He posited abstract entities that he called
that, if I were to explain things properly, she would have to listen to a story of mine. Actually, it isn't my story; it's about mother turkeys, and it belongs to the relatively new science of ethology-the study of animals in their natural settings. Turkey mothers are good mothers-loving, watchful, and protective. They spend much of their time tending, warming, cleaning, and huddling their young beneath them; but there is something odd about their method. Virtually all of this mothering is triggered by one thing: the "cheep-cheep" sound of young turkey chicks. Other identifying features of the chicks, such as their smell, touch, or appearance, seem to play minor roles in the mothering process. If a chick makes the cheep-cheep noise, its mother will care for it; if not, the mother will ignore or sometimes kill it. The extreme reliance of maternal turkeys upon this one sound was dramati-
you read those words, your doubts and fears arose immediately to remind you of reasons why these dreams and goals may not be pos- sible for you. Well, join the crowd! This is exactly how I felt many years ago. Even though I wanted to be a big success in life, I was unskilled, uneducated, and unem- ployed. I had no idea what I could do to improve my situation. I felt trapped between big ideas on the one hand and limited resources and opportunities on the other. Then I discovered a series of re- markable principles that have been responsible for all the great suc- cesses and achievements of the ages, and my life changed forever. After proving these laws and principles in my own life, I began speaking, and training others to apply the same ideas. Since then, I have given more than two thousand talks and seminars as long as
a story that works." — David Friendly, Producer, Little Miss Sunshine, Daylight, Courage Under Fire, Out to Sea, My Girl "A classic of its k i n d full of insight and inspiration that every writer, both amateur and professional, must read." — R i c h a r d D. Zanuck, T h e Zanuck C o m p a n y Charlie and the Chocolate Factory, Big Fish, Reign of Fire, Driving Miss Daisy, Cocoon, The Verdict, Sting " T h e basis for a great movie is a great screenplay, and the basis for a great screenplay should be The Writer's Journey." — A d a m Fields, Donnie Darko, Money Train, Great Balls of Fire "One of the most valuable tools in understanding and appreciating the structure of a plot that's available today
Those eyes narrowed slightly, his features otherwise schooled into impassivity. His dress shirt and suit were both black, but his tie perfectly matched those brilliant irises. His eyes were shrewd and assessing, and they bored into me. My heartbeat quickened; my lips parted to accommodate faster breaths. He smelled sinfully good. Not cologne. Body wash, maybe. Or shampoo. Whatever it was, it was mouthwatering, as was he. He held out a hand to me, exposing onyx cuff links and a very expensive-looking watch. With a shaky inhalation, I placed my hand in his. My pulse leaped when his grip tightened. His touch was electric, sending a shock up my arm that raised the hairs on my nape. He didn't move for a moment, a frown line marring the space between arrogantly slashed brows. "Are you all right?" His voice was cultured and smooth, with a rasp that made my stomach flutter. It brought sex to mind. Extraordinary sex
One good way to learn words is to make flash cards. Use small cards made of thick paper, like index cards The cards should be small enough to fit in your pocket. On one side write the new word, then on the back write a synonym for the word. You may also want to note the meaning of the word. Review these cards as often as you can, perhaps with a friend who is preparing for the TOEFL. You will be able to build a large "sight vocabulary" by using this method. Do not be concerned if you are unable to actually use these words in conversation you have in English. With time, they will become a part of your active vocabulary. Your ability to use new words is not as important as your ability to recognize new words and their meanings. MAKE WORD LISTS Another good way to learn new words is to make word lists. Many students use a small notebook for this purpose. When you discover a new word, add it to a list of words to be learned.
past three summers, my dad, Charlie, vacationed with me in California for two weeks instead. It was to Forks that I now exiled myself-- an action that I took with great horror. I detested Forks. I loved Phoenix. I loved the sun and the blistering heat. I loved the vigorous, sprawling city. "Bella," my mom said to me -- the last of a thousand times -- before I got on the plane. "You don't have to do this." My mom looks like me, except with short hair and laugh lines. I felt a spasm of panic as I stared at her wide, childlike eyes. How could I leave my loving, erratic, harebrained mother to fend for herself? Of course she had Phil now, so the bills would probably get paid, there would be food in the refrigerator, gas in her car, and someone to call when she got lost, but still... "I want to go," I lied. I'd always been a bad liar, but I'd been saying this lie so frequently lately that it sounded almost convincing now. "Tell Charlie I said hi." "I will."
Was gaged by our king; which had return'd To the inheritance of Fortinbras, Had he been vanquisher; as, by the same covenant, And carriage of the article design'd, His fell to Hamlet. Now, sir, young Fortinbras, Of unimproved mettle hot and full, Hath in the skirts of Norway here and there Shark'd up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in't; which is no other— As it doth well appear unto our state— But to recover of us, by strong hand And terms compulsatory, those foresaid lands So by his father lost: and this, I take it, Is the main motive of our preparations, The source of this our watch and the chief head Of this post-haste and romage in the land. BERNARDO I think it be no other but e'en so: Well may it sort that this portentous figure Comes armed through our watch; so like the king That was and is the question of these wars. HORATIO A mote it is to trouble the mind's eye. In the most high and palmy state of Rome,
neighbourhood." "It is more than I engage for, I assure you." "But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general, you know, they visit no newcomers. Indeed you must go, for it will be impossible for us to visit him if you do not." "You are over-scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy." "I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving her the preference." "They have none of them much to recommend them," replied he; "they are all silly and
BOM Basic Online Memory [IBM] + Beginning Of Message BOND Bandwidth On Demand BOOTP Bootstrap Protocol [Internet] BOPS Billion Operations Per Second BORPQU Borland Pro Quattro BORQU Borland Quattro BOS Basic Operating System BOT Beginning Of Table + Beginning of Tape + Robot BP Base Pointer BPB BIOS Parameter Block BPDU Bridge Protocol Data Unit Berkeley Packet Filter BPI Bits Per Inch BPL Branch If Plus + Broadband Over Power Lines BPM Business Process Management [Microsoft] BPP Bits Per Pixel BPR Business Process Re-engineering [Linux] BPS Bits Per Second + Bytes Per Second BPSK Binary Phase Shift Keying BR Bad Register BRGC Binary Reflected Gray Code BRI Basic Rate Interface + Brain Response Interface BS Backspace BSAM Basic Sequential Access Method BSC Base Station Controller + Binary Synchronous Communication .BSC Boyan Script (file name extension) [Boyan Communications]
1. Üldine kommunikatsioonimudel Sõnumi allikas->saatja(allikast info)->edastussüsteem->vastuvõtja->sihtjaam [üheks näiteks võiks olla: Arvuti->modem->ÜKTV->modem->arvuti] sisendinfoAllikas(sisendandmed g(t))->edastaja e. transmitter(edasi saadetud signaal s(t))->edastussüsteem(saadud signaal r(t))->vastuvõtja(väljund andmed g'(t))- >lõppunkti saaväljund informatsioon m' 2. Kommunikatsioonisüsteemi ülesanne • mõistlik kasutamine/koormamine • liidestus(kokku ühendamine. Ntx: võrk+võrk, arvuti+võrk) • Signaalide genereerimine(edastamine)(signaalide ühest süsteemist teise üleviimine) • Sünkroniseerimine [andmeedastuse algust(saatja) ja lõppu(vastuvõtjat)] • Andmeside haldamine • Vigade avastamine ja parandamine(näiteks side mürarikkas keskkonnas) • Voojuhtimine (vastuvõtja saab pakette vastu võtta kindla kiirusega->on vaja kont
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du
;P ulJbijlg lsBN 978-1-8432s-569-7 Illllll]ililil]t llll ||||rl 9 x781843x255697x Conlenls UNI T1 househol d & appl i ances; dw el l i ngs ln Searchof the Perfect My Home is my chores;colours& rooms;home H ome(mul ti pl choi e ce) Castle(pp. 5-19) safety TheCharmingPast:Blarney Castle- Du