Rottenbuch Abbey II Rokokoo ● Traditsiooniline barokk tundus liiga raskepärane ● Rõhku hakati panema õrnusele ja kergusele ● Inspiratsioon loodusest: loomad, merikarbid, väänlevad taimed ● Heledad värvid, kerge mööbel ● Hiina mõjutused: eksootilised esemed, portselan, vaasid ja kujukesed Tüüpiline tapeet Rokokko stiilis peegel Schloss Ludwigsburgis Gatchina sisustus Gaspari salong Madridi kuninglikus palees Wurzburg Benrather Schloss Düsseldorf Palazzo Biscari Sans Souci Palace, kontsertiruum Hermitage Branicki palee Białystokis III klassitsism ● Tekkis vastukaaluks rokokoo kergemeelsusele ● Tagasipöördumine antiigi väärtuste juurde ● Reeglite ja korra austamine, harmoonia ja selgus ● Antiik-Kreekast laenati nii põhiplaane kui ka kaunistusdetaile Tartu ülikool Madeline kirik Kapitooliumihoone Washingtonis Tähe võidukaar Narva värav
most famous intellectuals of his day. This was Johannes Trithemius, a Benedictine monk whose dabbling in alchemy and other mystic powers made him one of the most revered figures in occult science, while his more solid scholarship won him the title of "Father of Bibiliography." In 1518, a year and a half after his death, his Polygraphiae libri sex, loannis Trithemii abbatis Peapolitani, quondam Spanheimensis, ad Maximilianum Caesarem ("Six Books of Polygraphy, by Johannes Trithemius, Abbot at Wurzburg, formerly at Spanheim, for the Emperor Maximilian") was published. By far the bulk of the volume consists of the columns of words printed in large Gothic type that Trithemius used in his systems of cryptography. But in the work's Book V appears, for the first time, the square table, or tableau. This is the elemental form of polyalphabetic substitution, for it exhibits all at once all the cipher alphabets in a particular system. These are usually all the same sequence of letters, but
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