accomplish nothing because they are poor. The unjust triumph and the whole trilogy ends with a memorable sketch of a young harmless hitchhiker who wants to catch a car on a highway that leads nowhere. The final scene is the big indictment-critisism of america, road to nowhere. It is one of the experimental novels. The narrative structure is very complex. 12 fictional narratvies each told from the point of view, interrupted by three formal devices. The first device is the Newsreels, then the second is simply biographies and the third the camera eye. 69 newsreels, these are collages of real newspaper headlines. News story fragments, snatches of song lyrics, political speeches of that times and even advertisement. Mass culture and popular conscousness of that time is given. They also present the panorama of events. 27 biographies in the trilogy, these are very imaginative of famous public figures, people who
The stage director Hanno Kompus (1890-1974) placed emphasis on a wide and varied classical repertoire: Bizet, Borodin, Rossini, Tchaikovsky, Verdi and Wagner. Ringhääling (Estonian Broadcasting) was established in 1926 as a regular joint- stock company. Radio plays and public radio events were quickly introduced. Felix Moor (1904-1958) became a very popular radio actor. Estonian cinema was very active in the years 1920-1932, producing newsreels, educational films and commercials and experimenting with feature films. The first full- length feature film Mineviku varjud (Shadows of the Past, 1924), directed by Konstanin Märska (1896-1951), is a historical melodrama about the ancient Estonians’ fight against invasion. The best theatre actors were engaged: Paul Pinna, Ants Lauter, Benno Hansen, among others. The first full-length documentary Filmikaameraga läbi Eesti
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