100 punkti
Autor soovib selle materjali allalaadimise eest saada 100 punkti.
~ 8 lehte
Lehekülgede arv dokumendis
2011-01-17
Kuupäev, millal dokument üles laeti
9 laadimist
Kokku alla laetud
0 arvamust
Teiste kasutajate poolt lisatud kommentaarid
marina petrikila
Õppematerjali autor
Most of the Russian rulers, from Peter's daughter Elizabeth, to the last Romanov emperor Nicholas II, have visited this imperial summer residence. From 1921 the Estonian Museum in Tallinn was situated in the palace. In 1928 it was reorganized into the Art Museum of Estonia. From 1929 the palace served as the residence of the Estonian head of state (from 1938 president). The building was renovated in 1933-34. The banqueting hall after the design of the architect Aleksander Vladovsky was constructed at the back of the palace. Some rooms were refurnished in Estonian national romantic style after the designs of the architect Olev Siinmaa. From 1946 until 1991 the palace housed the main building of the Art Museum of Estonia. Due to the deterioration of the building, large restoration works were started. The government of Sweden supported the works that lasted over 9 years, with 21 million Swedish kronor.
Burlington realized that in order to achieve the Palladian revival, originality of invention was also needed. For example, in 1717, he turned his own house into a palazzo. Its most striking feature was the graceful Doric colonnade which linked its courtyard. The most visited became Chiswick, which was something completely new to the people, since it is essentially a unique synthesis of both antique and modern precedents. Chiswick’s most daring feature was its employment of interior space, a combination of different shapes, niches, apses, columns and screening. In Palladianism, the importance of the land that surrounds the villa is also emphasized. It is evident that Burlington’s campaign for a reformed architecture achieved its culmination in the decades between 1720 and 1750. The style spread widely, and underneath it all was a strong feeling for Roman antique severity without concealing the gilded splendour within. (Course book, pp. 96-100) 18
He depicted river life and politics. His West is pleasant, sunny and free of civilized constraints. His manner is grand and his figures are precisely placed. He selected subjects both singular and typical. He displayed his faith in the democratic process with his series of paintings on elections. John James Audubon (early-C19). He studied American birds. His works are both records and masterpieces, thus his achievements are dually great. He was self-taught. He had a sense of design and an ability to render the characteristics of the bird. George Catlin (early-C19). He painted Indians and their life. The paintings are authentic and lively. He spent some eight years living with them. His style is sketchy, free and more graphic than painterly. Among his works are portraits. Subsidiary artists: Richard C. Woodville, John Quidor. History and Portraiture. In mid-C19, few were concerned with history paintings. Romanticism was intensified.
He depicted river life and politics. His West is pleasant, sunny and free of civilized constraints. His manner is grand and his figures are precisely placed. He selected subjects both singular and typical. He displayed his faith in the democratic process with his series of paintings on elections. John James Audubon (early-C19). He studied American birds. His works are both records and masterpieces, thus his achievements are dually great. He was self-taught. He had a sense of design and an ability to render the characteristics of the bird. George Catlin (early-C19). He painted Indians and their life. The paintings are authentic and lively. He spent some eight years living with them. His style is sketchy, free and more graphic than painterly. Among his works are portraits. Subsidiary artists: Richard C. Woodville, John Quidor. History and Portraiture. In mid-C19, few were concerned with history paintings. Romanticism was intensified.
of a nun or a sister. After the Reformation, the monastery was eliminated and in 1631 a gymnasium was founded in its rooms, but the street name remained in the form of Süsterstrasse and Cisternstrasse. It was not until the 18th century that the name Lai also started to appear. In 1872, when the street names were being fixed, Lai remained the sole name of the street. 4 1 Lai Street / 4 Nunne Street A good example of Neo-Renaissance and early Art Nouveau styles combined is Lai Street 1, the present Youth and Puppet Theatre, erected at the beginning of the 20th century as the Nobility Club. The three-storey building replaces two medieval properties. In 1784 an amateur theatre began playing in a house situated in the same place and soon became a professional German City Theatre. The famous German writer August von Kotzebue (1761-1819), the life and soul of the theatre, lived in Tallinn for several long periods. (Otto von Kotzebue, the son of
to people. Climax in Rome. Greatest prize: classical antiquities – scuplture, vases, cameos, gems, coins, medals. Purchase-obsessed. Result: publications (what seen). Changed people’s perception of classical past. Returned minds enriched, into culture cosmopolitan influence, refinement of manner, intellectual curiosity -> lasting change in English art, architecture, music, manners. Collecting, works of art, sculpture collections, change in architecture and interior design (neo-classicism), obsession with classical antiquity. 21. Augustan journalism (Addison, Steele) Richard Steele’s Tatler, Joseph Addison’s and Steele’s Spectator – mixes of short pieces, letters, essays, poems commenting on contemporary matters, morals and events. Religious bigotry and division of previous century should be put aside, replaced by mutual tolerance and understanding. New balance in society <- new way of life <- understanding oneself and world.
entrance was moved to the middle of the building, characteristic of the baroque age, and the main portal was closed. The arcade that earlier enhanced the stateliness and individuality of the Town Hall as well as the windows of the basement and the ground floor were walled up. Partitions were built into the Citizens' Hall, turning its space into several separate rooms. A lot of the medieval architecture of the Town Hall was destroyed or distorted in the course of that reconstruction. In 1667 the interior decor of the Council Chamber was modernised. Lunette paintings to themes of the Bible were ordered from painter Johann Aken and carved wooden friezes beneath them from Elert Thiele and Joachim Armbrust. In the 19th century both the windows of the Town Hall and its eastern façade were rebuilt in the Gothic Revival style. The structure stepped into the 20th century with big changes in its exterior and interior decoration, and smaller changes followed in the first half of the 20th century.
Occasionally two gowns were worn, with the inner gown having longer, tighter sleeves, and the outer one having shorter, looser sleeves. Under this might be worn a linen underdress. A mantle might be worn over the outer dress, along with a cloak. After the introduction of Christianity, all women (except for very young girls and occasionally slaves) would wear some kind of headcovering, usually a draped couvrechf, the ancestor of the later wimple. Like men, free women would also carry a seax as a sign of their freedom. Weddings The modern engagement is rooted in the Medieval customs of publishing the banns and handfasting. The handfasting ceremony usually took place when the couple was very young, often many years before the actual wedding. It was this ceremony, not the wedding, that produced the exchange of vows which are now part of the Anglican wedding ceremony . This was also time for bride price and dowry to be exchanged. The ceremony was sealed with a drink and a kiss.
annaabi.ee 
Sisene Facebook'ga
Sisene Google'ga
Sisene LinkedIn'ga
Kõik kommentaarid