Photographic camera (0)

Lõik failist

Sarnased õppematerjalid

7

docx

Filmikunsti ajalugu

end of the 19 century, bored. Stanfrod talks friends about horses: problem: question is, what happens with the hooves while its moving, running. Bet, with eyes, can't settle this. Cannot ever see if the hooves touch the ground. Stanford has enough money, hires most famous photographer. Eadwerd muybridge, comes to usa. Tells him to settle this with photography. That time with photography you cannot get any informatio either. Started to install boxes, in each box, there was a camera. Does the hooves touch the ground or not? Fast shutter, can freeze the moment. Makes fast shutters, to record this. Finds solution, hooves are touching. The prerequisites for cinema: camera(edison and dickson), film stock that is flexible and stable to run through camera(kodak, celluloid film), projector, can show the image on a screen(1895-max skladanowsky, lumiere brothers) The lumiere brothers and cinematographe Father was a wealthy factory owner. Thomas edison-worked with moving images

Filmiajalugu

3

docx

AVCHD vs HDV - võrdlus

16:9 4:3 Most AVCHD cameras will claim full 1080, and some will claim 1080p output. They are all recording as a 1080i frame, and converting to 1080p when using the hdmi output. (My HDV equipment does the same, sends it to the tv as a 1080p signal over hdmi) The resolution is 1920x1080, so technically this would be a slightly sharper picture than the 1440x1080 that HDV records. My JVC camera has 4 compression settings. 5meg, 12 meg, 15 meg and a whopping 24 meg. The 3 lower bit rates are directly compatable with the AVCHD standard for optical disks, so disks made can directly be played on bluray players. The 24 meg format is over the spec for AVCHD, and can only be burned to real BDR disks, or transcoded to a lower bitrate for recording on conventional DVD-R media with compatability with blu ray players. Most editing software these days will handle both HDV and AVCHD formats.

Arvutite lisaseadmed

10

doc

Industry of television and video technics

Engine Business: Aircraft engines, overhaul, turbo-machinery Defense Program: 155mm SPH, K9 Thunder, M9ACE etc. 4.2 DSC From the Internet to mobile phones and digital cameras - multimedia enriches the world right before our eyes. Samsung Techwin has opened up a new world of multimedia by creating an impressive range of optical digital products and services based on the optical science technology, digital image processing and network technology we have accumulated through our camera business over a period of more than 20 years. Samsung Techwin opens up a new chapter in digital camera technology. A digital camera is not simply a device for recording precious moments. People share their life stories with each other by means of a visual language consisting of the photos taken with their camera. Samsung Techwin is pushing ahead with an endless series of innovations to enable customers all around the world to enjoy an exciting photo culture through Samsung DSC

Geograafia

3

rtf

Directing Fiction

stories. genres is its specific visual style, usually characterized by deep focus, shadowed faces and very exact framing. The style of the noir film is immediately identifiable. In Falcon, Huston used relatively new techniques to establish his noir world. Deep focus, a technique that allows both the foreground and background to be in focus at the same time is almost exclusively the way Falcon was shot. Low-angle camera position was also a relatively new film technique that was used throughout Falcon. By placing a camera below the waist-line and pointing it upward to show a character's upper body, Huston created both the effect of domination and claustrophobia since the ceiling was now visible, crushing the character. And, as would become the standard for film-noir, shadows were integral to almost every shot. Most of the time, specific lighting is simply used to convey mood. A good example is the use

Haridus

4

doc

Technology Home reading

Reliant on a talking computer for reading and a cane for navigating New York City, where she lives and works, Ms. Campbell, now 56, would have been thrilled to see something. Anything. Now, as part of a striking experiment, she can. So far, she can detect burners on her stove when making a grilled cheese, her mirror frame, and whether her computer monitor is on. She is beginning an intensive three-year research project involving electrodes surgically implanted in her eye, a camera on the bridge of her nose and a video processor strapped to her waist. The project, involving patients in the United States, Mexico and Europe, is part of a burst of recent research aimed at one of science's most-sought-after holy grails: making the blind see. Some of the 37 other participants further along in the project can differentiate plates from cups, tell grass from sidewalk, sort white socks from dark, distinguish doors and windows, identify

Inglise keel

1

rtf

Speed cameras are not a good way to make our roads safer. Do you agree with this statement?

Speed cameras probably decrease the average speed a bit at the spot where the camera is, but in my opinion they really make driving much more stressful and unsafe. First of all, in our country there are a lot of speed cameras on the roads. Mostly of them are on a straight roads, which even do not need a speed camera. As our country is pretty small, almost everybody driving daily knows exactly where are these speeding cameras. That makes no sense because they slow down before the camera and after it they speed up. Secondly, people are afraid of tickets. They must check their speedometer before the speed camera to hold the speed around allowed level. That takes drivers attention from the road. It may cause severe accidents. Speed cameras have also good side. For example people who get a ticket must pay a fee for it and goverment earns money by this. This money can be spent for to repair or to rebuild the roads.

Inglise keel

215

docx

Steve Krug-Dont Make Me Think 2014

ortomywork.” I find that the most valuable contributions I make to each project always come from keeping just a few key usability principles in mind. I think there’s a lot more leverage for most people in understanding these principles than in another laundry list of specific do’s and don’ts. I’ve tried to boil down the few things I think everybody involved in design should know about usability. Not present at time of photo Just so you don’t waste your time looking for them, here are a few things you  won’t find in this book: Hard and fast usability rules.I’ve been at this for a long time, long enough to know that there is no one “right” answer to most usability questions. Design is a complicated process and the real answer to most of the questions people ask me is “It depends.” But I do think that there

Kategoriseerimata

568

pdf

Book Analog Interfacing to Embedded Microprocessors

Each scan from the CCD had to be read, normalized, filtered, and then converted to 1-bit- per-pixel monochrome. During the meetings that were held to establish the system architecture, one of the engineers insisted that we pass all the data through the VME bus. In those days, the VME bus had a maximum bandwidth specification of 40 megabytes per second, and very few systems could achieve the maximum theoretical bandwidth. The bandwidth we needed looked like this: Read data from camera into system: 30.72 Mbytes/sec Pass data to normalizer: 30.72 Mbytes/sec Pass data to filter: 30.72 Mbytes/sec Pass data to monochrome converter: 30.72 Mbytes/sec Pass monochrome data to output: 3.84 Mbytes/sec If you add all this up, you get 126.72 Mbytes/sec, well beyond even the theo- retical capability of the VME bus back then. More recently, I worked on a similar imaging application that was implemented with DSPs (Digital Signal

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