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Making a film (0)

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Making a film #1
Punktid 50 punkti Autor soovib selle materjali allalaadimise eest saada 50 punkti.
Leheküljed ~ 1 leht Lehekülgede arv dokumendis
Aeg2010-11-07 Kuupäev, millal dokument üles laeti
Allalaadimisi 6 laadimist Kokku alla laetud
Kommentaarid 0 arvamust Teiste kasutajate poolt lisatud kommentaarid
Autor Liisa Viilvere Õppematerjali autor
Hea kokkuvõte, kuidas tehakse filme. Sobib nt. jutustamiseks.

Sarnased õppematerjalid

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Cinema is the most restricitve medium

The reason being, we get uncomfortable sitting long period of time. If the movies would be longer, we would lose interest and start doing something else. We would simply get uncomfortable sitting on a chair and the whole cinema experience would become agony. Furthermore, producing films can be expensive, especially longer films. All human resources want to be paid an hour wage, renting and building sets cost money etc. So, in the long term, making longer films more than 3 hours is not that good idea. Longer films would start losing money. Films in ordinary cinema are not long. Because of that, filmmakers have to make compromises, all the time and everywhere. Starting with the writer. If they come with an original idea, easier for them. They don’t have to go that deep into the background of the characters to tell the story because there would be enough time in the film to show it, so they can write less but better

Film
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Filmikunsti ajalugu

Filmikunsti ajalugu 31.01.12 The age of pioneers: the early history of film How the horses helped to ivent the cinema. Cinema was invented by accident. 1872, west coast: leland standford, party, rich people, end of the 19 century, bored. Stanfrod talks friends about horses: problem: question is, what happens with the hooves while its moving, running. Bet, with eyes, can't settle this. Cannot ever see if the hooves touch the ground. Stanford has enough money, hires most famous photographer. Eadwerd muybridge, comes to usa. Tells him to settle this with photography.

Filmiajalugu
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Charlie Chaplin

Chaplin's slapstick acrobatics made him famous, but the subtleties of his acting made him great. While Harold Lloyd played the daredevil, hanging from clocks, and Buster Keaton maneuvered through surreal and complex situations, Chaplin concerned himself with improvisation. For Chaplin, the best way to locate the humor or pathos of a situation was to create an environment and walk around it until something natural happened. The concern of early theater and film was to simply keep the audience's attention through overdramatic acting that exaggerated emotions, but Chaplin saw in film an opportunity to control the environment enough to allow subtlety to come through. Chaplin was known as one of the most demanding men in Hollywood. Regardless of the size the part, Chaplin walked each actor through every scene. Chaplin knew that a successful scene was not simply about the star, but about everyone on the screen. He demanded that the

Inglise keel
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Film Studies - The Black Dahlia

How genre and narrative makes meaning in ``The Black Dahlia`` When analyzing a film, people understand the movie is much more complicated than it seems. To make a difference, to give a meaning to the film, film-makers have used different visual and thematic features. There are macro features (genre, narrative) as well as micro features (mise en scene, cinematography) and they are linked together in many ways. I have chosen to analyse the closing sequence of ``The Black Dahlia``, directed by Brian de Palma, and I will focus on macro features in this essay. Brian de Palma is well known director, who is focused on noir area through his career

Inglise keel
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Christopher Vogler The Writers Journey

• A final chapter, "Trust the Path," an inspiring call to adventure for those who want to discover themselves through writing "This book is like having the smartest person in the story meeting come home with you and whisper what to do in your ear as you write a screenplay. Insightfor insight, step for step, Chris Vogler takes us through the process of connecting theme to story and making a script come alive. " - Lynda Obst, Producer, Sleepless in Seattle, How to Lose a Guy in 10 Days; Author, Hello, He Lied "This is a book about the stories we write, and perhaps more importantly, the stories we live. It is the most influential work I have yet encountered on the art, nature, and the very purpose of storytelling. "

Ingliskeelne kirjandus
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Marilyn Monroe

murdered.[8] She is the only female on the Forbes top earning dead celebrities list.[9] Contents 1 Childhood 1.1 Family and early life 1.2 Foster homes 2 Career 2.1 Early years 2.2 Stardom 2.2.1 Playboy playmate 2.2.2 A-list actress 2.2.3 Marilyn Monroe Productions 2.3 Later years 3 Marriages and relationships 3.1 James Dougherty 3.2 Joe DiMaggio 3.3 Arthur Miller 4 The Kennedys 5 Death and aftermath 5.1 Administration of estate 6 Trivia 6.1 Pornographic film claims 7 Quotes 7.1 Quotes about Monroe 8 Filmography 9 Awards and nominations 10 Art (selection) 11 See also 12 Notes 13 References 14 External links Childhood Family and early life Main article: Childhood of Marilyn Monroe Marilyn Monroe was born in the charity ward of the Los Angeles County Hospital.[1][10] According to biographer Fred Lawrence Guiles, her grandmother, Della Monroe Grainger, had her baptized Norma Jeane Baker by Aimee Semple McPherson

Ajalugu
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Finished topic- mass media

of Estonian national theatre was in 1870 when Lydia Koidula started writing and staging plays for the ''Vanemuine'' society in Tartu. During this century the inventors created a number of new ways of listening to an acted story or seeing a show. First came the cinema. The cinema's possibilities are unlimited. It possesses important advantages. It is produced for a mass audience, can be seen in a great many places. In 1893 the world's first film studio was built by Thomas Edison in New Jersey. These films were called `moving pictures `.The first films were silent. The words of the actors appeared on cards, which were shown every twenty seconds or so. Suitable music was played during the film by an orchestra, or by one person on a piano. The golden age of the cinema began with the talkies in 1927 ­ when the actors on film were able to talk for the first time. By 1930, all films were 'talkies', and many actors and directors

Inglise keel
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Referaat - Jackass

com: 24 Hour Takeover to coincide with the official launch of Jackassworld, a web site which will house everything Jackass from now on, including classic and new stunts. The TV special allowed the core members of Jackass to take over MTV and its studios for 24 hours, broadcasting new pranks and stunts, along with a tribute to stunt man Evel Knievel shot days before. Films Jackass: The Movie After the show went off the air, the cast reunited in 2002 to film what they believed would be the conclusion of Jackass: a full-length motion picture version of the show entitled Jackass: The Movie. The cast made it clear that the film was their "farewell" to the fans of the show, and with the franchise taking the movie format, the cast and crew were now allowed to circumvent the censors, showing more vulgar stunts than the ones featured on the TV show. [8] Despite earlier disagreements, MTV Films assisted in the movie's distribution.

Inglise keel




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